Tanjore Paintings - Shree Satya Narayan
Shree Satya Narayan - Tanjore / Thanjavur Paintings
Satya Narayan is a deva form of Vishnu who is worshipped by Hindus, mainly in the Indian states of Gujarat, Madhya Pradesh, Maharashtra, Punjab, Haryana, Chandigarh, Uttar Pradesh, Chhattisgarh, West Bengal, Jharkhand, Bihar, Assam, Manipur and Tripura. His avatar is Krishna. Satya Narayan is part of a triad on the ratnavedi (jewelled platform).
Satya Narayan is honoured at the Saty Narayan Ji Temple (mandir) in Nabha, at the Rath Yatra Nabha, and as part of the Holi festival. The large chariots of Jagannath (another aspect of Vishnu) which are pulled during a Ratha-Yatra form the etymological origin of the English word juggernaut.
The present puja to the deva originated in the syncretism of Hindu and Sufi traditions in Bengal during the Middle Ages, when the Hindu Satya Narayan became the Muslim Satya Pir. The puja is also performed by some Buddhists in Bangladesh.
The Satyanarayanã Puja is a religious worship of the Hindu god Vishnu. Satya means “truth” and narayana means, “The highest being” so Satyanarayanã means “The highest being who is an embodiment of Truth”. Vratã or Puja means a religious vow, religious observance, or obligation. Hindus throughout perform Sri Satyanarayanã Vratã for the divine blessings of health, wealth, prosperity, opulence, education; relief from troubles and sickness. It can also be performed because of success in business or career growth; during social functions like marriages, house-warming ceremonies, naming of the children and so on.
This puja is first mentioned in Skanda Purana, Reva Kanda by Suta Puranik to the rishis in Naimisharanya. The details are part of the Katha (Story) that is usually read during the ritual
A painting of Narayana (Viṣṇu) seated on lotus
Sri Satya Narayana puja is a very popular ritual in most parts of India including Gujarat, Maharashtra, Assam, Bengal, Karnataka, Andhra Pradesh,Telangana,Bihar, Odisha, Manipur.[citation needed].
The ritual is usually performed on the Full moon day of every month, Ekadashi (11th day after full moon or new moon), Kārtika Pūrṇimā, Vaiśākhā Pūrṇimā, solar eclipse day or on Saṅkrānti except during Āṣāḍha Chandra Masa. It is also performed on special occasions and during times of achievements, as an offering of gratitude to the Lord. These occasions could include marriage, graduation, start of a new job, purchase of a new home, to name a few. In addition, the performance of this most auspicious puja generally confers a child to couples trying to start a family.
The Satyanarayan puja can be performed on any day for any reason. It is not a puja confined to any festivities, but Purnima (full moon day) is considered specifically auspicious for this puja. Performing this puja in the evening is considered more appropriate. However, one can perform this puja in the morning as well.
This puja is very simple, can be performed by anyone, and it does not require a priest to perform it. The original concept was instructions given by rishi Narada Muni while on tour of earth he noticed tremendous amounts of sufferings all around due to malnutrition. He went to lord Vishnu and described the situation and was told with instructions to perform Pooja and the other stories to be narrated. One of the key instructions was to invite as many friends, relatives and neighbors to attend the ceremony and to feed them and to offer as many types of fruits as possible and the sufferings will be eliminated, and this was due to being well fed and consumption of fruits.
The previous night, think of Lord Sri Satyanarayana and mentally decide to perform puja the next day. Invite your relatives and friends. Tradition mandates to abstain from worldly pleasures.
On the puja day, early in the morning keeping the same thoughts of worshiping the Lord, take a head bath. If performing the evening, again take a head-bath. This should be done by both husband and wife. Wear a clean dress.
Observe Fast (if possible).
Keep all the things for puja ready, near the altar. The total duration of the puja - start to finish – will be around 3 hours.
Decorate the front door with mango leaves. The place near the altar is cleaned (with cow dung, where possible).
The Altar is placed in an East-West direction such that the devotees performing the puja will be seated facing east. It is decorated with floral designs, usually using rice flour and other coloured powders. A new white cloth is spread on the Altar and layered with raw rice.
Peeta
A Kalash (small pot made of Silver, Copper, Brass, or even earthen) is placed in the middle of Altar. That small pot should add one betel nut, one rupee coin, some jwar or wheat and then filled it with holy water like gangajal, if not available you can use clean water .A coconut is placed on top and wrapped with a cloth.5 Mango or ashok leaves are placed between the coconut and the pot. After this a red thread (kalava or moli) is tied 3 round in neck of pot . Make a symbol of swastik in pot, it is a good and positive symbol .This too is decorated with Chandan (Sandal paste) and kumkum. This process is called kalash sthapna .
A framed picture of Lord Satyanarayana is placed on the far side of the Altar. Flowers and garlands can be placed on this frame.
Place all the puja items near the Altar.
The devotees performing the puja will be seated facing the Altar.
An essential part of this puja is listening to the Sri Satyanarayana Swami Katha (narrative).
The five-part story involves the origin of the puja, benefits of the puja, the potential mishaps that may occur with the forgetting performance of the puja, the magnitude of the Lord's benevolence and the importance of the Prasad, and consequences of snubbing the ritual.
Chapter 1 narrates the origins of the puja. Sri Satyanarayana Katha comes from the Skanda Puraṇa, Reva khaṇḍa. Suta Maharṣhi is the one narrating this account to Saunaka Muni, in Naimiṣaraṇya to the ṛiṣhis who were performing a thousand-year yajna for the benefit of humanity. The procedure itself was narrated my Sriman Narayana to Narada.
Chapter 2 narrates the benefits of the puja. A poor Brahmin was approached by Lord Himself in disguise and He advised him of the puja. Upon successful completion of the puja, the Brahmin could overcome his difficulties and enjoy eternal bliss. It also narrates about the good fortune of a woodcutter who witnesses the Brahmin performing the puja and continues to gain prosperity after performing the puja.
Chapter 3 narrates the mishaps that may occur for dishonoring the vow to perform the puja. A merchant, with an intention to establish family, vows to perform the puja upon having a child. He adjourns the vow to complete it during the child's marriage. Upon forgetting the vow, the Lord puts the merchant in hardship. The merchant is falsely accused and imprisoned. His entire business is confiscated by the king. His household goes bankrupt. He is freed when his wife recollects the promise and performs the puja.
Chapter 4 narrates about the Lord's benevolence and the importance of the Prasad. This is a continuation of the previous chapter. During an incident, the merchant puts off the Lord about his merchandise, thereby losing all its value. Realizing his folly, the merchant regrets his intemperance and seeks forgiveness. On hearing that the merchant reached the dockyard, his wife and daughter, who were performing the puja at that time, forget to take the Prasad. Angered with the disrespect, He makes the boats sink into the sea, only to be restored when they have the Prasad.
Chapter 5 narrates about the importance of the puja and not that of the devotees. A group of backwoodsmen was performing the puja. King discards and disregards the offerings, thereby invoking the wrath of Sri Satyanarayana. The king loses his kingdom, wealth, and family, only to be restored upon realizing his recklessness and seeking forgiveness to Sri Satyanarayana and accepting the offerings.
The rituals conclude with the Puja participants including the story audience singing Invocation prayers (Aarti) to Satya Nārāyaṇa.